This is a very short video about my Rooftop Water Towers quilt. You can find out much more about this quilt by watching Episode 06, where I show you how I made it from beginning to end.
This trunk show video shows my version of the #BrooklynConnectedQAL challenge we put together for the Brooklyn Quilters Guild back in March and April of 2020 to help keep our guild members connected during the lockdown. I had made a few tutorial videos to give our quilters options as far as creating standard ruler-cut blocks or improv-pieced blocks. I decided to do both and then mashed them together! Watch the video to see the result!
In this next trunk show video I talk about the creation of BK Snaps, which I created to hang in the 2020 Brooklyn Quilters Guild quilt show. Unfortunately, the quilt show had to be canceled due to the COVID-19 pandemic, so this is your chance to see the quilt up close and personal!
This is another long episode because I’m talking about six quilts. These are mini quilts, all created based on prompts. I love making mini quilts because I can really experiment with ideas and techniques without committing to a full quilt. I highly recommend making them!! I’ve listed the names of the quilts and the time they appear in the video in the Description box on my YouTube channel, just in case you want to jump to one in particular.
This fourth video takes us on a little tour of the first bed-sized quilt I ever made — Caged Cacophony. It kind of all happened without any real plan at the beginning. In fact, I didn’t even plan on making a bed-sized quilt when I first started working on it. I’m a big fan of flying by the seat of my pants when it comes to designing and making quilts, and this quilt epitomizes that philosophy. Watch the video to learn more!
This quilt design was inspired by all of the rooftop water towers you’ll see as you perambulate around New York City. You might think the rooftop water tower is just some rotting old, unused piece of infrastructure from a bygone era, but after reading this article from 6sqft you’ll realize they’re just as much in use today as they were decades ago. As a result, the rooftop water tower has become a well-recognized symbol of NYC, appearing in graphic designs on hipster tees, screenprinted tea towels sold at outer borough flea markets, and stenciled graffiti walls throughout the city.
When I was working on my BK Snaps quilt, I wanted the blocks to represent different “snapshots” you would find around Brooklyn. Of course, I had to include a rooftop water tower. I used scraps to make my prototype block, and it was so cute I decided right then and there that I would design a whole quilt around that block at a later date.
A few months ago I finally started working on a bunch of different water tower blocks. I was determined to only use scraps for the blocks themselves and improv piece them so they were each unique. Once I made a few, I started thinking about the overall layout I would want for the quilt top and decided I wanted it to look like a gallery wall of “framed photos” of rooftop water towers. So I framed each block with matching solid strips of fabric and kept making blocks in different shapes and sizes until I was satisfied with the layout.
As I was piecing the quilt top, I began thinking about the overall quilt design. Because the blocks are scrappy and cutesy, I wanted the quilting to contrast — maybe something a little more graphic and urban. I decided to fill the white background sashing with various triangular shapes and sharp-angled polygons filled in with very dense matchstick quilting. Then every once in a while, I would break that up with a more open grid-like quilting design. I find the overall effect to have a graffiti-like quality, which I think is appropriate for the subject matter.
Because the majority of the quilting is very dense, I decided to keep the quilting inside the blocks very simple. I stitched in the ditch around each water tower and then quilted easy wavy lines in the “air” around each tower. I ultimately decided to not quilt inside the actual frames at all because I wanted a noticeable break between the dense quilting of the sashing and the very low-volume quilting of the water towers. (A distinction you might notice more on the back of the quilt.)
My final design decision was using a striped binding to frame the entire “gallery wall.” I was fortunate enough to have this fabric on hand, and the colors of the stripes are varied enough that they seem to match whatever colors are near them. And the colors of the binding are light enough that they don’t take the eye away from the blocks, which should be the focus of the quilt.
Et voilà! That’s my Rooftop Water Towers quilt! It took me FOR-EV-AH to finish, but I’m so happy with how it turned out. I really love how it combines urban imagery with a traditional crafting style. Have you ever been inspired by your surroundings and created something as a result? I’d love to hear about it, so please post comments and questions below. Share your own crafting stories, please! Happy making, everyone!!
Welcome to the next video tutorial for our virtual quilt-along, hosted by the Brooklyn Quilters’ Guild ! In this video, I’m demonstrating cutting and piecing the individual blocks for the quilt top. I include demos for ruler-cut blocks as well as improv-pieced blocks. Because it’s such a long video, I’ve listed the demo timings in the description box on my YouTube channel so you can skip ahead to the sections you want to watch.
Be sure to post pics on Instagram and Facebook and use the hashtag #BrooklynConnectedQAL. And follow that hashtag so you can see everyone else’s posts. Find the written pattern instructions on Barbara Danzi’s blog. Also be sure to subscribe to my YouTube channel so you don’t miss any of my upcoming demos. And please leave questions and comments and advice in the Comments section. This is all about staying connected as a community even as we’re staying home and social distancing.
My Christmas tree is the most beautiful Christmas tree in the world. Many people disagree. They are wrong. I was born and raised in Toledo, Ohio, which is the Glass City due to its history of glass manufacturing for the past several decades. Luckily, that means there are amazing glass artisans throughout the area, and the Toledo Museum of Art houses one of the most impressive glass collections in the world. Many years ago, my mom began gifting my siblings and me with a glass ornament each Christmas, so I have an AMAZING collection at this point and I am deeply in love with each and every one.
One of the most beautiful characteristics of glass ornaments is the way they interact with light. Because of this, I decided I wanted a tree that allowed the natural sunlight to fully shine through them during the day and the Christmas tree lights to cause the ornaments to twinkle at night, which meant I wasn’t interested in a traditional tree with pine needles that would block the light. After MUCH searching, I finally found the perfect tree — a simple birch-style tree with built-in lights at the tip of each branch. I truly love how my ornaments shine and sparkle hanging from this tree.
This is all a very long build-up to explain how I came about creating my Christmas tree skirt. One of the ornaments my mom gave us a few years ago was a fused-glass star, which I use as my tree topper. It’s super modern and colorful and awesome, and it inspired me to create an improv-pieced tree skirt using up some of the billions of scraps I’ve collected over the last few years of quilting.
Because I have a very non-traditional tree, I decided I wanted a very non-traditional skirt. I really love Justin Stafford’s Squareburst quilt, and I thought a square tree skirt would work really well with my tree. So I took some of the craft paper that’s been used as packaging and that I save for moments like this. I decided on the size and drew out the pattern. I then cut it all up to use as templates.
Then I had to go through all of my scraps and sort them by color. That was a process. Oy. However, it was necessary and made the piecing process so much easier. I wanted to use all of the colors that are on my tree, which is pretty much everything, so I decided on red, orange, yellow, chartreuse, green, blue, purple, and pink.
I set up my improv piecing station, consisting of my Martelli Round-About Cutting mat and Rotary Ergo cutter on one side of my sewing machine and my ironing board on the other. At that point, it was just a matter of sewing, pressing, and slicing, sewing, pressing, and slicing, sewing, pressing, and slicing, over and over again in each of the colorways until I had pieced enough scraps to fit with the triangular template.
The trickiest part of this tree skirt was binding the center hole. I have never sewn a curved binding before, so I needed to look up a few different YouTube tutorials to figure it out. Other than that, everything went together pretty quickly and easily, resulting in what I think is a pretty darn gorgeous Christmas tree skirt!
This will most likely be my last blog post of 2019 as I will be traveling to the Glass City in a couple of days to visit my family for the next couple of weeks. Happy holidays to all and have a very happy new year!!
The journey for this quilt is nearing its end, and in case you didn’t get it from the above title, this is probably my favorite part of the whole creating-a-quilt process. While many quilters find their joy piecing a beautiful top together (which I agree is super fun and fulfilling), I personally feel that coming up with and actually creating the quilting design is what elevates a beautiful quilt to a spectacular quilt.
When I’m creating a quilt, I start thinking about how I’m going to actually quilt it from the very beginning of the process, but I don’t really know what I’m going to do until I’ve completed piecing the top. Then I just stare at the top and think about how I want to quilt it sometimes for days. I’m one of those people who have to let things marinate in my brain for a while before I figure out what to do.
For this quilt, I decided pretty early on that I didn’t want the quilting design to distract from the 20 “snapshot” blocks, and instead I wanted the quilting to make them pop even more. To me, that means the quilting in the sashing needed to be an overall consistent pattern that could somewhat fade into the background. Because my blocks are all based on urban visuals of Brooklyn, I thought a brick wall quilting design would be perfect. The more I thought about it, the more I really liked the idea of making my blocks look like they are displayed on an exposed brick wall, which is a pretty desirable feature in many Brooklyn apartments.
Then I had to decide how I was going to quilt each of the blocks. They definitely needed some quilting just from a practical standpoint because I didn’t want them to be completely puffy, and the quilting would flatten them down a bit.
When you’re coming up with your own quilting designs, be sure to think about how you’re actually going to use the quilt and whether or not you will be washing it regularly. If your quilt is going to be regularly washed, you will want to make sure that it is quilted all over so that the batting inside the quilt doesn’t start to distort in between the top and back of the quilt. However, if you are just hanging the quilt on a wall and don’t plan on washing it, you can basically do whatever you want with the quilting.
Back to this quilt, I had to decide if I wanted to quilt each block to help the viewer figure out some of the more abstract blocks or if I wanted to keep it as basic as possible so that they were still very abstract. I decided on the latter. So I only quilted in what I considered to be the background of each block, allowing the foreground to slightly pop out.
If you’ve read some of my other posts, you’ll know that I am obsessed with free-motion quilting (FMQ), and that’s how I generally quilt all of my quilts even if I have a design that’s all straight lines such as the brick wall motif I’m using in the sashing of this quilt. I’ve tried using rulers, and I don’t like them. I’ve tried using a walking foot, which I still use for some of my quilts, though quite rarely, but ultimately I really prefer the freedom that FMQ gives me. I also really dig how my quilting designs end up looking like a doodle or drawing, which you can really see on the back of this quilt. As much as I am truly in awe of all of the free-motion quilters out there who do phenomenal work with rulers to create geometrically perfect quilt designs, my personal style is a little more free hand.
Now that the quilting is all finished, it’s time to square it up, bind it, and attach the hanging sleeve and label. I’ll cover all of that in my final post for this “Creating a Quilt” series. I’d love to hear about your own preferences for quilting designs. Do you quilt your own quilts, or do you always send them out to a professional? Do you ever think about how quilting can enhance the overall design of your quilt top? Share your stories with all of us, and let’s all grow together as craftspeople and artists! Happy Crafting!!!
The first few quilts I made were all about learning how to follow a pattern, learning basic quilting techniques and blocks, and getting comfortable with using my sewing machine and tools. Then I bought a Craftsy class taught by Joe Cunningham a.k.a. Joe the Quilter. The class was called “Pattern-free Quiltmaking.” I suddenly realized I could just take pieces of fabric, sew them together, and make beautiful blocks without any plan! This was so exciting!
Those of you reading this who are more experienced quiltmakers will know that this is not a new concept. “Crazy quilts” have been around for a couple centuries, but I had no idea at the time. As I began experimenting on my own as well as doing a little online research, I realized just how much freedom improv piecing can give you. Also, what a great way to use your scraps! (The image below is NOT MY WORK.)
My first real attempt to create something completely through improv piecing was a wine bottle holder. I had a bunch of Christmas-themed fabric scraps that I didn’t want to just throw away, and I had a Secret Santa party coming up. So I just started sewing, cutting, sewing, cutting, over and over until I came up with enough fabric to create the bottle holder. I loved the process and I loved the result!
I then decided to try an approach that combined a bit of a plan with improv piecing. I selected three fat quarters that were different shades of the same hue, cut them into strips, pieced the strips together, and then started randomly cutting and sewing them all back together. I then squared them off until I had enough to create a queen-sized quilt. My favorite discovery during this process was that I could take all of the scraps and put those together into rainbow strips which I used as partial inner borders for the quilt. This is one of my very favorite creations and it is proudly displayed on our bed.
My latest discovery that amped up my improv piecing was from reading Victoria Findlay Wolfe’s book Modern Quilt Magic. One of the chapters is about the kind of improv piecing I’d already been doing, but then she goes into free-form curves. Gasp!! I could improv piece curves??!! This blew my mind and it has opened up a whole new slew of possibilities for my improv piecing game.
While I still like just sitting down and randomly picking out scraps and sewing them together for a “crazy quilt” type style, what I really enjoy doing is combining sketched out ideas with improv piecing to come up with truly unique blocks that will never be completely replicated. That’s what I’m working on right now with my current quilt. Sometimes the process is frustrating because the improv just doesn’t work out the way I want it to. But for the most part, I find myself so fulfilled by this process.
Have any of you tried any sort of improv piecing? I’d love to hear from you. I find it meditative, but maybe some of you find it frustrating? Share your thoughts in the Comments section below and happy crafting!!