It’s time for my second unboxing video! I am very sad to say that Bluprint is no longer in operation. Back when it was Craftsy, I took the How to Quilt: Cozy Throw Quilt with Amy Gibson class and made my very first quilt. They had a big going-out-of-business sale at the end of May, so I ordered a bunch of yardage to have on hand for quilt top backgrounds and quilt backs as a birthday treat. Please be sure to subscribe to my channel so you don’t miss any of my upcoming videos, and feel free to leave comments or questions below. Thanks for watching!
In this episode of my YouTube series, I sit down once again with Shannon Reed and discuss creativity and her writing process. Be sure to check out Shannon’s new book that is being released very soon and is available for pre-order now! What are your thoughts about the creative process? Feel free to leave any comments or questions on my YouTube channel or contact me here on my website. And be sure to subscribe to my YouTube channel so you don’t miss out on any of my upcoming interviews and videos!
P.S. This video was recorded almost a year before COVID-19 caused the worldwide lockdowns. Hence our non-social distancing.
This quilt design was inspired by all of the rooftop water towers you’ll see as you perambulate around New York City. You might think the rooftop water tower is just some rotting old, unused piece of infrastructure from a bygone era, but after reading this article from 6sqft you’ll realize they’re just as much in use today as they were decades ago. As a result, the rooftop water tower has become a well-recognized symbol of NYC, appearing in graphic designs on hipster tees, screenprinted tea towels sold at outer borough flea markets, and stenciled graffiti walls throughout the city.
When I was working on my BK Snaps quilt, I wanted the blocks to represent different “snapshots” you would find around Brooklyn. Of course, I had to include a rooftop water tower. I used scraps to make my prototype block, and it was so cute I decided right then and there that I would design a whole quilt around that block at a later date.
A few months ago I finally started working on a bunch of different water tower blocks. I was determined to only use scraps for the blocks themselves and improv piece them so they were each unique. Once I made a few, I started thinking about the overall layout I would want for the quilt top and decided I wanted it to look like a gallery wall of “framed photos” of rooftop water towers. So I framed each block with matching solid strips of fabric and kept making blocks in different shapes and sizes until I was satisfied with the layout.
As I was piecing the quilt top, I began thinking about the overall quilt design. Because the blocks are scrappy and cutesy, I wanted the quilting to contrast — maybe something a little more graphic and urban. I decided to fill the white background sashing with various triangular shapes and sharp-angled polygons filled in with very dense matchstick quilting. Then every once in a while, I would break that up with a more open grid-like quilting design. I find the overall effect to have a graffiti-like quality, which I think is appropriate for the subject matter.
Because the majority of the quilting is very dense, I decided to keep the quilting inside the blocks very simple. I stitched in the ditch around each water tower and then quilted easy wavy lines in the “air” around each tower. I ultimately decided to not quilt inside the actual frames at all because I wanted a noticeable break between the dense quilting of the sashing and the very low-volume quilting of the water towers. (A distinction you might notice more on the back of the quilt.)
My final design decision was using a striped binding to frame the entire “gallery wall.” I was fortunate enough to have this fabric on hand, and the colors of the stripes are varied enough that they seem to match whatever colors are near them. And the colors of the binding are light enough that they don’t take the eye away from the blocks, which should be the focus of the quilt.
Et voilà! That’s my Rooftop Water Towers quilt! It took me FOR-EV-AH to finish, but I’m so happy with how it turned out. I really love how it combines urban imagery with a traditional crafting style. Have you ever been inspired by your surroundings and created something as a result? I’d love to hear about it, so please post comments and questions below. Share your own crafting stories, please! Happy making, everyone!!
I just completed a new quilt, and this video takes you from the beginning to the end of the process. And what a process it was! Whew!! I’d love to hear about your own quilting and making process, so be sure to leave any questions or comments here or on my YouTube channel so we can keep the quilting conversation going. And please subscribe so you don’t miss out on any upcoming videos!
I hope you’ve decided to join our virtual quilt-along, hosted by the Brooklyn Quilters’ Guild ! This video is all about fabric selection. What a great opportunity to go through your stash and start using some of those beautiful fabrics you’ve been collecting! Be sure to post pics on Instagram and Facebook and use the hashtag #BrooklynConnectedQAL. And follow that hashtag so you can see everyone else’s posts. Find the written pattern instructions on Barbara Danzi’s blog. Be sure to subscribe to my YouTube channel so you don’t miss any of my upcoming demos. And please leave questions and comments and advice in the Comments section. This is all about staying connected as a community even if we’re all self-quarantining right now.
In this time of social distancing and self-quarantining, the Brooklyn Quilters’ Guild is hosting a virtual quilt-along. Watch the video below to learn all about it, and please join us! As you start putting your blocks together, be sure to post pics on Instagram and Facebook and use the hashtag #BrooklynConnectedQAL. And follow that hashtag so you can see everyone else’s posts. Find the written pattern instructions on Barbara Danzi’s blog. I’ll be posting demo videos throughout. Be sure to subscribe to my YouTube channel so you don’t miss any of them!
I’ve posted a new video on my YouTube channel! This is my first unboxing video. Ooh! I took full advantage of the latest clearance sale at Connecting Threads, so join me as I reveal my new treasures. Please subscribe so you don’t miss out on any upcoming videos, and be sure to leave any questions or comments here or on my YouTube channel so we can keep the quilting conversation going!
My latest YouTube video is just me talking about my quilting process for my latest project, which is this quick-and-easy chevron tablerunner using 2.5″ precut strips of Dit Dot Evolution fabrics. Enjoy the video and be sure to click on Subscribe so you don’t miss out on any future posts!
Happy 2020, everyone! I hope everyone had a wonderful time celebrating the various winter holidays these last few weeks. My way of welcoming in 2020 was to purchase my own copy of Interaction of Color by Josef Albers. It’s a highly regarded text on color theory, and I’m planning on creating a series of mini quilts based on the exercises within the book. I’m excited to get started!
All right, folks! If you’ve been following my “Creating a Quilt” series, you’ve seen my process from thinking of an idea all the way up through the quilting design. There are only a few details left, but I assure you they’re just as important as all of the rest!
First, I need to trim off all of the extra batting and backing and square up the whole quilt. When I square up a quilt, I try to find some element of the quilt that I can use to measure with that will get me an even trim around the whole quilt. In this case, I used the outer black border. I then place the largest square ruler I have in one of the corners of the quilt, line it up so I’m cutting off an even amount on both sides, and trim up the right-hand side of the ruler and then over the top. Then I use my long 24″ ruler to continue the cut all the way to the next corner.
I tend to switch between my long ruler and my square ruler, but you could just as easily use your long ruler all the way around once you’ve decided on the amount you want to trim. Ideally, I trim as little of the actual quilt top as possible while still making sure that no batting will be seen once I attach the binding.
Speaking of binding, that’s the last important design decision that must be made. Actually, before even deciding what kind of binding you want, you need to decide if you want to actually bind your quilt or use a facing instead. Binding a quilt is definitely the most common way to cover up the raw edges of a finished quilt, especially quilts that you want to snuggle under. A binding creates a lovely frame around your quilt top while making sure all of your raw edges are securely enclosed. Depending on what kind of fabric or print you choose for your binding, it can either blend in or really pop out.
I’ve also used facing for several of my quilts, though usually for quilts that are meant to hang on walls. When you face a quilt, you basically pull the raw edges over to the back and cover them with a different kind of binding that won’t be seen on the front. This gives the quilt a frameless look. I really love facing my quilts when I want the viewer to imagine my quilting designs continuing off of the quilt.
In the case of this quilt, I had already decided to add the black outer border as a solid frame, so I decided a simple black binding that blended in would be the perfect way to finish it. I generally machine sew the binding onto the front of the quilt and then hand stitch it to the back. I really love how it looks on both sides when I use that technique.
Once the last stitch of the binding has been sewn, I usually consider my quilt D-O-N-E. However, when a quilt is going to be displayed, it needs a couple more elements added to it — a hanging sleeve and a label. There are different ways to display your quilt, so if you’re entering your quilt in a show be sure to read the guidelines for how that particular show wants you to attach a hanging sleeve. I went ahead and used some more scraps from my quilt to construct this hanging sleeve. I like how it kind of blends into the back, though I don’t always care so much about that since it won’t normally be seen by anyone.
As for the labels, I like to make mine by hand. I include the name of the quilt, my name, my social media handle, my location, and the date the quilt was completed (I just use the month and year). Because I’m not selling my quilts at this point, I’m not too worried about how professional my labels look. I’m kind of digging the homemade vibe they have right now.
One thing you may remember from one of my earlier “Creating a Quilt” posts is that I was planning on calling this quilt “Dear Brooklyn,” as an homage to the Dear Jane quilt pattern. However, as I started actually making the quilt, I realized my quilt really looked nothing like a Dear Jane quilt and instead my blocks looked more like Polaroid snapshots. So one of the last design decisions I made was to change the name to “BK Snaps.”
And now my quilt is officially finished. Huzzah! I really loved the entire process of creating this quilt, and I’m so glad you came along on the journey with me. I’d love to hear about your own quilt-creating process or any sort of creative process you use whenever you’re crafting anything. Please leave comments or questions in the Comment section below, so we can all learn from each other and continue to thrive as a creating community! Happy crafting!!