Happy 2020, everyone! I hope everyone had a wonderful time celebrating the various winter holidays these last few weeks. My way of welcoming in 2020 was to purchase my own copy of Interaction of Color by Josef Albers. It’s a highly regarded text on color theory, and I’m planning on creating a series of mini quilts based on the exercises within the book. I’m excited to get started!
All right, folks! If you’ve been following my “Creating a Quilt” series, you’ve seen my process from thinking of an idea all the way up through the quilting design. There are only a few details left, but I assure you they’re just as important as all of the rest!
First, I need to trim off all of the extra batting and backing and square up the whole quilt. When I square up a quilt, I try to find some element of the quilt that I can use to measure with that will get me an even trim around the whole quilt. In this case, I used the outer black border. I then place the largest square ruler I have in one of the corners of the quilt, line it up so I’m cutting off an even amount on both sides, and trim up the right-hand side of the ruler and then over the top. Then I use my long 24″ ruler to continue the cut all the way to the next corner.
I tend to switch between my long ruler and my square ruler, but you could just as easily use your long ruler all the way around once you’ve decided on the amount you want to trim. Ideally, I trim as little of the actual quilt top as possible while still making sure that no batting will be seen once I attach the binding.
Speaking of binding, that’s the last important design decision that must be made. Actually, before even deciding what kind of binding you want, you need to decide if you want to actually bind your quilt or use a facing instead. Binding a quilt is definitely the most common way to cover up the raw edges of a finished quilt, especially quilts that you want to snuggle under. A binding creates a lovely frame around your quilt top while making sure all of your raw edges are securely enclosed. Depending on what kind of fabric or print you choose for your binding, it can either blend in or really pop out.
I’ve also used facing for several of my quilts, though usually for quilts that are meant to hang on walls. When you face a quilt, you basically pull the raw edges over to the back and cover them with a different kind of binding that won’t be seen on the front. This gives the quilt a frameless look. I really love facing my quilts when I want the viewer to imagine my quilting designs continuing off of the quilt.
In the case of this quilt, I had already decided to add the black outer border as a solid frame, so I decided a simple black binding that blended in would be the perfect way to finish it. I generally machine sew the binding onto the front of the quilt and then hand stitch it to the back. I really love how it looks on both sides when I use that technique.
Once the last stitch of the binding has been sewn, I usually consider my quilt D-O-N-E. However, when a quilt is going to be displayed, it needs a couple more elements added to it — a hanging sleeve and a label. There are different ways to display your quilt, so if you’re entering your quilt in a show be sure to read the guidelines for how that particular show wants you to attach a hanging sleeve. I went ahead and used some more scraps from my quilt to construct this hanging sleeve. I like how it kind of blends into the back, though I don’t always care so much about that since it won’t normally be seen by anyone.
As for the labels, I like to make mine by hand. I include the name of the quilt, my name, my social media handle, my location, and the date the quilt was completed (I just use the month and year). Because I’m not selling my quilts at this point, I’m not too worried about how professional my labels look. I’m kind of digging the homemade vibe they have right now.
One thing you may remember from one of my earlier “Creating a Quilt” posts is that I was planning on calling this quilt “Dear Brooklyn,” as an homage to the Dear Jane quilt pattern. However, as I started actually making the quilt, I realized my quilt really looked nothing like a Dear Jane quilt and instead my blocks looked more like Polaroid snapshots. So one of the last design decisions I made was to change the name to “BK Snaps.”
And now my quilt is officially finished. Huzzah! I really loved the entire process of creating this quilt, and I’m so glad you came along on the journey with me. I’d love to hear about your own quilt-creating process or any sort of creative process you use whenever you’re crafting anything. Please leave comments or questions in the Comment section below, so we can all learn from each other and continue to thrive as a creating community! Happy crafting!!
Because I started my YouTube series with a different concept, I have posted the second half of my interview with Shannon Reed who learns to sew piping around an envelope-backed pillow. Check it out to see how it turns out, and please subscribe to my channel so you don’t miss out on any future videos!
I’m finally premiering the first episode of my Boy Meets Quilt YouTube channel. I sit down with my dear friend Shannon Reed (@knittingchick), who talks about her crafting history and everything she loves to do. Please check it out and be sure to Subscribe if you want to see more. Also, ask questions and make comments so we can share our love of all things crafty!!
The journey for this quilt is nearing its end, and in case you didn’t get it from the above title, this is probably my favorite part of the whole creating-a-quilt process. While many quilters find their joy piecing a beautiful top together (which I agree is super fun and fulfilling), I personally feel that coming up with and actually creating the quilting design is what elevates a beautiful quilt to a spectacular quilt.
When I’m creating a quilt, I start thinking about how I’m going to actually quilt it from the very beginning of the process, but I don’t really know what I’m going to do until I’ve completed piecing the top. Then I just stare at the top and think about how I want to quilt it sometimes for days. I’m one of those people who have to let things marinate in my brain for a while before I figure out what to do.
For this quilt, I decided pretty early on that I didn’t want the quilting design to distract from the 20 “snapshot” blocks, and instead I wanted the quilting to make them pop even more. To me, that means the quilting in the sashing needed to be an overall consistent pattern that could somewhat fade into the background. Because my blocks are all based on urban visuals of Brooklyn, I thought a brick wall quilting design would be perfect. The more I thought about it, the more I really liked the idea of making my blocks look like they are displayed on an exposed brick wall, which is a pretty desirable feature in many Brooklyn apartments.
Then I had to decide how I was going to quilt each of the blocks. They definitely needed some quilting just from a practical standpoint because I didn’t want them to be completely puffy, and the quilting would flatten them down a bit.
When you’re coming up with your own quilting designs, be sure to think about how you’re actually going to use the quilt and whether or not you will be washing it regularly. If your quilt is going to be regularly washed, you will want to make sure that it is quilted all over so that the batting inside the quilt doesn’t start to distort in between the top and back of the quilt. However, if you are just hanging the quilt on a wall and don’t plan on washing it, you can basically do whatever you want with the quilting.
Back to this quilt, I had to decide if I wanted to quilt each block to help the viewer figure out some of the more abstract blocks or if I wanted to keep it as basic as possible so that they were still very abstract. I decided on the latter. So I only quilted in what I considered to be the background of each block, allowing the foreground to slightly pop out.
If you’ve read some of my other posts, you’ll know that I am obsessed with free-motion quilting (FMQ), and that’s how I generally quilt all of my quilts even if I have a design that’s all straight lines such as the brick wall motif I’m using in the sashing of this quilt. I’ve tried using rulers, and I don’t like them. I’ve tried using a walking foot, which I still use for some of my quilts, though quite rarely, but ultimately I really prefer the freedom that FMQ gives me. I also really dig how my quilting designs end up looking like a doodle or drawing, which you can really see on the back of this quilt. As much as I am truly in awe of all of the free-motion quilters out there who do phenomenal work with rulers to create geometrically perfect quilt designs, my personal style is a little more free hand.
Now that the quilting is all finished, it’s time to square it up, bind it, and attach the hanging sleeve and label. I’ll cover all of that in my final post for this “Creating a Quilt” series. I’d love to hear about your own preferences for quilting designs. Do you quilt your own quilts, or do you always send them out to a professional? Do you ever think about how quilting can enhance the overall design of your quilt top? Share your stories with all of us, and let’s all grow together as craftspeople and artists! Happy Crafting!!!
If you read last week’s post, you know that I’ve been working on my entry for the upcoming Brooklyn Quilters Guild President’s Challenge for our March 2020 quilt show. I finished up the final stitch of the facing this weekend, so this week’s post is just going to be pictures of the finished quilt. I’m so happy with the results! Enjoy the pics and happy crafting!!!
If you’ve read some of my past posts you already know how much I love free-motion quilting (FMQ). I find it not only visually stimulating but also completely freeing when I sit down at my sewing machine to finally stitch all of the layers of my quilt together. I pretty much FMQ all of my quilts these days with rare exceptions, and I love whenever I have the opportunity to FMQ a mini quilt because I’m able to quilt more meticulous designs without taking hours to finish like it would take on a larger quilt.
Continuing the trend that the co-presidents began in 2018, the Brooklyn Quilters Guild will have a President’s Challenge for our upcoming biennial quilt show in March of 2020. The prompt is a quote by Maya Angelou.
“Try to be a rainbow in someone’s cloud.”
The quilts must measure 36″ x 36″ and incorporate six to seven of the colors of the rainbow in some way. Otherwise, they can be any style, pattern, etc. I decided to take this as an opportunity to go a little crazy with my FMQ by creating a quilt top that is mostly negative space which can be brimming with free-motion quilting.
The pieced portion of the quilt is quite small, so this is almost a whole-cloth quilt. Some of the quilters I follow suggest using a double layer of batting for whole-cloth quilts or any quilt where you want the quilting design to really pop. The general suggestion is a layer of 80/20 cotton batting and a layer of wool batting, so I’m going to give it a shot.
Once I pin baste my quilt sandwich, I start thinking about the thread color(s) I want to use. I’ve decided to extend the pieced design onto the negative space of the quilt, so I’ve picked thread colors that match each of the pieced stripes.
Before I start quilting any project, I like to plan out my quilting designs. I get out my sketchbook and start doodling. Not only does this help me clarify some ideas before putting thread to fabric, but it also starts getting those designs into my muscle memory.
Once I’m ready to actually start quilting, I set my machine up by installing my FMQ presser foot and bobbin case, lowering the feed dogs of my sewing machine, and placing a Supreme Slider mat over my needle plate. I want as little friction as possible when I’m sliding my quilt under the needle, and the Supreme Slider really helps me with that.
I also always make a tiny quilt sandwich out of scraps of my actual quilt to test the tension before I ever start quilting on the real one. I’ve learned this lesson the hard way. ALWAYS TEST YOUR TENSION BEFORE STARTING ON YOUR REAL PROJECT!!!
And now I’m ready to start quilting. I can’t wait to see how this turns out! I’d love to hear any pointers you have to share when it comes to FMQ prep. Add them in the Comments section below so we can all benefit from each other’s experience. Happy crafting!!
To piece a backing or not to piece a backing? Many people don’t realize that Shakespeare’s original idea for Hamlet was about a young quilter being driven mad by the various design decisions one must make during the quilting process, but the queen ordered him to go in a different direction. Alas. But seriously, this is one of the many questions we must ask ourselves as we’re getting ready to put together our quilt sandwich.
I am always very impressed with the Instagram posts I see of quilts with beautifully pieced backings, while at the same time thinking, “That is an awful lot of work for something that will rarely be seen.” By the time I’ve put together the quilt top, I generally want to take as little time as possible putting everything together because I really want to get to the quilting. That means I usually opt for a simple whole cloth backing.
However, for this particular quilt, I had a bit of a dilemma. By the time I had finished piecing my quilt top, I still had a good amount of yardage left over of the pear fabric. I thought it would be fun to use that for the backing, so I went ahead and pinned my completed quilt top to my design wall and taped an outline around it so I could make sure I had enough fabric to use as the backing.
Surprise, surprise — it wasn’t quite enough fabric, which meant I either had to go out and buy more, or I could take my scraps and piece together a back. I opted for the fiscally responsible choice. My first idea was to make a super scrappy section of the backing, which would have been totally fun but was going to take way more time than I wanted to spend on it. Then I realized I had a nice long strip of the pear fabric that could be used as the centerpiece. I went ahead and surrounded that by some long strips of the gray and black I had left over, and — voilà! — I suddenly had a very cool-looking, contemporary quilt back to complement my very cool-looking, contemporary quilt top (I mean, very cool looking in my opinion at least).
Once the backing was complete, it was time to make the quilt sandwich. Just as a reminder, a quilt generally consists of the top and the backing with the batting in between. Because this quilt wasn’t terribly large, I was able to clear out a space on my apartment floor and tape the backing down. I put a safety pin in the very middle of the backing so that I could line up the batting and quilt top, ensuring everything was perfectly centered.
You may also notice that my batting looks a little wonky. That’s because I am a firm believer in using every scrap of batting I have before opening a new package. That means using the zigzag stitch on my sewing machine and “Frankenstein-ing” all my batting scraps together.
Once everything was laid out, I pin basted all three layers together. Pin basting is how I originally learned to baste, and it’s really my preferred method at this point. I am very reticent to use any sort of adhesive with any part of my quilting process, so I plan on sticking with pin basting until my body forces me to pick another way to keep my quilt sandwich together. By the way, for those of you who might not know, basting a quilt sandwich is how you keep all three layers together during the quilting process. If you didn’t baste the layers together, they would shift all over the place while you’re quilting them, and your end result would be quite a mess.
Now that everything is pin basted together, it’s time to start thinking about the overall quilting design, but I will save those ponderings for a later date. Going back to the original question at the top of this post, how do you feel about pieced backings? If you do piece your backings, is it for artistic reasons or is it because you don’t want to waste any fabric? I’d love to hear the stories about your own process, so please share them with all of us in the Comments section below! Happy crafting!
Come up with an idea – check! Make some prototypes and confirm that my idea is a good one – check! Decide on the color scheme – check! Now it’s time to start putting it all together! Yay!! While most of the steps of creating a quilt are exciting, this is where I really start to have fun. This is also the point in the process where I might deviate a little from some other makers because I prefer to fly by the seat of my pants a bit more than is comfortable for many people.
This particular quilt is very much improv based. The only parameters I set for myself were the finished size of each block and the color scheme. I did make prototype blocks for several of my designs, but I was getting very bored with that so I decided it was time to start in with the real fabric and just see what happens. I always get way more excited when I work with my real fabric and colors knowing that I’m actually creating the final quilt.
I started with the blocks I had already experimented with when I was making prototypes. And even though I had already worked on the designs in the prototype phase, some of my blocks still did not work the way I wanted, so that meant redesigning or scrapping the idea all together.
I did not have a set number of blocks in mind when I started thinking about putting this quilt together, but I did know I wanted it to be a wall hanging. And as someone who lives in an apartment with relatively small walls, that meant the quilt wasn’t going to be too big. As I made more and more blocks, I realized that my final number of blocks was most likely going to be 20. Once I had that number in mind, I suddenly felt like this whole thing was much more achievable.
After creating my 20 blocks, it was time to slap them up on the design wall and decide on the overall quilt layout. Because I had framed each of the blocks in the pear fabric, I already knew I wanted to have sashing in between all of the blocks to keep the bright pear color from overwhelming the overall quilt. (For those who don’t know what sashing is, think of it as the inner borders of a quilt that surround each block.) Once all of the blocks were on the design wall, I was able to rearrange them into an order that felt balanced and also start thinking about how wide I wanted the sashing to be in between each block.
Then I needed to decide what color I wanted to use for the sashing. I pretty quickly decided gray was the way to go, but I was starting to think the pear borders around each block were too strong. Did the blocks need another border of black around them? Then I remembered seeing a bunch of Instagram posts of quilt blocks with a shadow effect that I thought was super cool, and I decided that was going to work really well with this particular quilt.
Once I made those design decisions, I started cutting and piecing everything together. After I had pieced all of the blocks together with sashing, I decided the outer border needed to be a bit thicker and that I wanted a second border to frame the whole thing. But should I add another border of pear? I love the color so much, so maybe I should add just a bit more? Ultimately, I decided there was more than enough pear already, so I committed to a simple black border around the entire quilt. I felt like that was the best design choice to complete the overall graphic look I was trying to achieve.
The next steps will be deciding on my backing and making the quilt sandwich, so stay tuned for my next post about this quilt. I’d love to hear about your creation process. Do you like to fly by the seat of your pants? Or do you prefer having a pretty set design plan in mind before putting everything together? Please share your stories in the Comments section below so we can all learn from each other! Happy crafting!!
I was probably about nine months into my quilting journey before I heard the term “mystery quilt.” For those of you who don’t know, a mystery quilt is designed by a person or group, and the instructions for each quilt block are handed out to the participants at periodic intervals. The participants don’t know what the overall quilt is going to look like until they receive the final set of instructions telling them how to put all of the blocks together.
It’s a very fun concept, and it’s a way for people all over the world to share an experience together at the same time. Most mystery quilt challenges have a Facebook page or an Instagram hashtag that participants use to post progress photos, and you get to see the different color choices everyone made while you also guess about what the overall design is going to turn out to be.
I decided to sign up for the National Quilters Circle mystery quilt challenge in the fall of 2018. It was designed by Toby Lischko, and we received new instructions once a week for about nine or ten weeks. I signed up because I wanted to find out just how a mystery quilt worked, because I thought it would be a great way to use up some of my stash, and because this particular one was free. Yay!
Our first set of instructions told us that the quilt was going to be a medallion quilt, meaning you start with one large block in the middle and then piece a variety of borders around it for the rest of the quilt. I had never done a medallion quilt before, so I got excited about that. The instructions also gave us yardage amounts and a very general color guide — so many yards of a dark color, so many yards of a complementary light color, so many yards of a neutral, etc.
I decided right at the start that I was going to try to only use my stash if at all possible. The tricky part was that most of my stash consists of fat quarters and a few half-yard packs, so I wasn’t going to have enough of any one particular fabric to use it throughout the entire quilt. So that meant I was going to have to get really creative about the colors I used. On the one hand, I always love thinking outside the box, especially when it comes to color. On the other hand, by the time the quilt was finished, I definitely would have made some different color choices had I known how the blocks were going to end up being placed.
I really enjoyed the overall process of the mystery quilt challenge. This particular quilt is filled with stars and really forced me to get serious about keeping my points. I learned so many new techniques with all of these blocks.
However, the reason why I probably won’t do another mystery quilt challenge again is because I had a bit of an epiphany once I put the top together. This was something that had been simmering in my subconscious for a while, but it really hit home with this quilt. As much fun as I had putting the top together, the prospect of putting it all together as a quilt sandwich and quilting it did not excite me in the least because it wasn’t my design. I realized that at this point in my quilting journey, I only get true satisfaction from quilting when it’s my creation from beginning to end. Maybe that will change over the years, but for now it’s just the way it is.
Even though I made that realization and even though I dragged my feet a bit, there is a larger part of my personality that cannot keep a project unfinished. So I did eventually put it all together and quilt it. This was by far the largest quilt I’ve ever made, and the fact that I was able to free-motion quilt it all on my little Janome DC2012 made me realize I could really do anything on this baby.
Once I finished quilting it, I kind of had no idea what I was going to do with it. I finally decided to gift it to my grandma for her 94th birthday. I’m hoping the bright colors will brighten up the upcoming gray days of winter. So while I have no intention of participating in a mystery challenge anytime soon, I am very happy I completed this one.
Have any of you participated in mystery challenges? What are your favorite kinds of quilt challenges? Do you prefer working from someone else’s design or creating something completely on your own? We all work differently and I’d love to hear your stories. Happy crafting!