I just completed a new quilt, and this video takes you from the beginning to the end of the process. And what a process it was! Whew!! I’d love to hear about your own quilting and making process, so be sure to leave any questions or comments here or on my YouTube channel so we can keep the quilting conversation going. And please subscribe so you don’t miss out on any upcoming videos!
My latest YouTube video is just me talking about my quilting process for my latest project, which is this quick-and-easy chevron tablerunner using 2.5″ precut strips of Dit Dot Evolution fabrics. Enjoy the video and be sure to click on Subscribe so you don’t miss out on any future posts!
The journey for this quilt is nearing its end, and in case you didn’t get it from the above title, this is probably my favorite part of the whole creating-a-quilt process. While many quilters find their joy piecing a beautiful top together (which I agree is super fun and fulfilling), I personally feel that coming up with and actually creating the quilting design is what elevates a beautiful quilt to a spectacular quilt.
When I’m creating a quilt, I start thinking about how I’m going to actually quilt it from the very beginning of the process, but I don’t really know what I’m going to do until I’ve completed piecing the top. Then I just stare at the top and think about how I want to quilt it sometimes for days. I’m one of those people who have to let things marinate in my brain for a while before I figure out what to do.
For this quilt, I decided pretty early on that I didn’t want the quilting design to distract from the 20 “snapshot” blocks, and instead I wanted the quilting to make them pop even more. To me, that means the quilting in the sashing needed to be an overall consistent pattern that could somewhat fade into the background. Because my blocks are all based on urban visuals of Brooklyn, I thought a brick wall quilting design would be perfect. The more I thought about it, the more I really liked the idea of making my blocks look like they are displayed on an exposed brick wall, which is a pretty desirable feature in many Brooklyn apartments.
Then I had to decide how I was going to quilt each of the blocks. They definitely needed some quilting just from a practical standpoint because I didn’t want them to be completely puffy, and the quilting would flatten them down a bit.
When you’re coming up with your own quilting designs, be sure to think about how you’re actually going to use the quilt and whether or not you will be washing it regularly. If your quilt is going to be regularly washed, you will want to make sure that it is quilted all over so that the batting inside the quilt doesn’t start to distort in between the top and back of the quilt. However, if you are just hanging the quilt on a wall and don’t plan on washing it, you can basically do whatever you want with the quilting.
Back to this quilt, I had to decide if I wanted to quilt each block to help the viewer figure out some of the more abstract blocks or if I wanted to keep it as basic as possible so that they were still very abstract. I decided on the latter. So I only quilted in what I considered to be the background of each block, allowing the foreground to slightly pop out.
If you’ve read some of my other posts, you’ll know that I am obsessed with free-motion quilting (FMQ), and that’s how I generally quilt all of my quilts even if I have a design that’s all straight lines such as the brick wall motif I’m using in the sashing of this quilt. I’ve tried using rulers, and I don’t like them. I’ve tried using a walking foot, which I still use for some of my quilts, though quite rarely, but ultimately I really prefer the freedom that FMQ gives me. I also really dig how my quilting designs end up looking like a doodle or drawing, which you can really see on the back of this quilt. As much as I am truly in awe of all of the free-motion quilters out there who do phenomenal work with rulers to create geometrically perfect quilt designs, my personal style is a little more free hand.
Now that the quilting is all finished, it’s time to square it up, bind it, and attach the hanging sleeve and label. I’ll cover all of that in my final post for this “Creating a Quilt” series. I’d love to hear about your own preferences for quilting designs. Do you quilt your own quilts, or do you always send them out to a professional? Do you ever think about how quilting can enhance the overall design of your quilt top? Share your stories with all of us, and let’s all grow together as craftspeople and artists! Happy Crafting!!!
If you read last week’s post, you know that I’ve been working on my entry for the upcoming Brooklyn Quilters Guild President’s Challenge for our March 2020 quilt show. I finished up the final stitch of the facing this weekend, so this week’s post is just going to be pictures of the finished quilt. I’m so happy with the results! Enjoy the pics and happy crafting!!!
If you’ve read some of my past posts you already know how much I love free-motion quilting (FMQ). I find it not only visually stimulating but also completely freeing when I sit down at my sewing machine to finally stitch all of the layers of my quilt together. I pretty much FMQ all of my quilts these days with rare exceptions, and I love whenever I have the opportunity to FMQ a mini quilt because I’m able to quilt more meticulous designs without taking hours to finish like it would take on a larger quilt.
Continuing the trend that the co-presidents began in 2018, the Brooklyn Quilters Guild will have a President’s Challenge for our upcoming biennial quilt show in March of 2020. The prompt is a quote by Maya Angelou.
“Try to be a rainbow in someone’s cloud.”
The quilts must measure 36″ x 36″ and incorporate six to seven of the colors of the rainbow in some way. Otherwise, they can be any style, pattern, etc. I decided to take this as an opportunity to go a little crazy with my FMQ by creating a quilt top that is mostly negative space which can be brimming with free-motion quilting.
The pieced portion of the quilt is quite small, so this is almost a whole-cloth quilt. Some of the quilters I follow suggest using a double layer of batting for whole-cloth quilts or any quilt where you want the quilting design to really pop. The general suggestion is a layer of 80/20 cotton batting and a layer of wool batting, so I’m going to give it a shot.
Once I pin baste my quilt sandwich, I start thinking about the thread color(s) I want to use. I’ve decided to extend the pieced design onto the negative space of the quilt, so I’ve picked thread colors that match each of the pieced stripes.
Before I start quilting any project, I like to plan out my quilting designs. I get out my sketchbook and start doodling. Not only does this help me clarify some ideas before putting thread to fabric, but it also starts getting those designs into my muscle memory.
Once I’m ready to actually start quilting, I set my machine up by installing my FMQ presser foot and bobbin case, lowering the feed dogs of my sewing machine, and placing a Supreme Slider mat over my needle plate. I want as little friction as possible when I’m sliding my quilt under the needle, and the Supreme Slider really helps me with that.
I also always make a tiny quilt sandwich out of scraps of my actual quilt to test the tension before I ever start quilting on the real one. I’ve learned this lesson the hard way. ALWAYS TEST YOUR TENSION BEFORE STARTING ON YOUR REAL PROJECT!!!
And now I’m ready to start quilting. I can’t wait to see how this turns out! I’d love to hear any pointers you have to share when it comes to FMQ prep. Add them in the Comments section below so we can all benefit from each other’s experience. Happy crafting!!
I LOVE free-motion quilting — or FMQ, as the cool kids call it!! If you’ve scrolled through my quilt gallery, you’ve probably noticed that I pretty much free-motion quilt almost all of my quilts. I love how versatile and creative it allows me to be when creating the quilting design of my projects. In today’s post, I’m going to take you on a little journey through my FMQ history. Enjoy!
When I quilted my very first quilt, I used a walking foot and straight-line quilting. I did not enjoy the process. at. all. I had to keep turning the quilt over and over through my tiny, little machine, and by the time I was finished I didn’t think I would ever quilt again.
But while I was obsessively trying to find out as much about quilting as I could, I ran across this crazy thing called free-motion quilting. Suddenly I was eager to try my hand at it which meant making another quilt. Yay! I chose a 20-block sampler quilt designed by Amy Gibson for Craftsy, and I paired that with Leah Day’s free-motion quilting class which was specifically designed to help you quilt Amy Gibson’s sampler quilt.
Because I was brand new at FMQ, I decided to use the quilt-as-you-go method so I could just concentrate on one 10″ x 10″ block at a time. It only took a couple blocks to realize that FMQ was a game changer for me. The actual quilting process became my favorite part of making a quilt!
Once I discovered FMQ, there was no turning back. I started free-motion quilting all of my projects. Here are a few of my favorites. For “Beyond the Machine,” I quilted mostly straight lines, but I still used the free-motion quilting technique instead of a walking foot because I wanted the freedom of moving the quilt in any direction without turning the whole thing around.
I specifically designed “Verdant Promises” with eight all-white Ohio Star blocks so that I had tons of negative space to quilt in as well as natural borders to help contain the different designs.
The blocks for “Caged Cacophony” are one of six colors, so I decided to give each color a specific FMQ motif. Then I had fun with the borders.
“Urban Collective I” was my first foray into graffiti-style FMQ. The blocks are just quilted in the ditch, but the sashing and borders are filled with quilting. I love the contrast of modern quilting with the traditional blocks.
This next quilt is just a solid fat quarter that I used for practice. I started with a specific design idea for the center, but then I just let the quilting take me where it wanted to go. This was my first whole cloth experience, albeit a very small whole cloth. I hope to do a wall-sized whole cloth quilt someday.
Because “Baby’s First Chevron” has such a modern look, I wanted the quilting to maintain that feel. So instead of filling up all of that negative space with tons of FMQ motifs, I simply used straight lines to extend the chevron pattern throughout the quilt but in different directions that keep the eye moving. Even though these are straight lines, I still used the FMQ presser foot and technique because a walking foot would have been too cumbersome with so many changes in direction.
“Greener Pastures” shows my basic FMQ design approach when I don’t have anything specific in mind. I try to decide if I want the design to be more geometric with sharp, straight lines and angles or something more organic with curves. I decided to alternate between the two for the different strips in this Fence Rail quilt.
My most recent FMQ project was “We Only Got One, Folks,” where each of the inset circles represents an important aspect of conservation — earth/plants, water, air, and endangered species. I chose FMQ motifs within the circles to enhance the individual designs. Then I “wrote” in cursive around each of the circles, using words and phrases representing each of the conservation aspects, something that would be impossible with a walking foot.
I really love how FMQ gives me so much freedom when it comes to the quilt design of all of my projects. I can choose to do simple straight lines if I really want the quilt top pattern to stand out. Or I can go crazy with the quilting if that’s the wow factor I’m looking for. Do any of you free-motion quilt? Do you love it as much as I do? If you don’t FMQ yet, what are you waiting for? I bet you’ll fall in love with it as deeply as I have once you give it a chance. Let me know what you think, and happy crafting!!